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Worldwide Music Industry Revenues: 2006 ($60.7 billion), 2007 ($61.5 billion), 2008 ($62.6 billion), 2009 ($65.0 billion), 2010 ($66.4 billion), 2011 ($67.6 billion)
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Worldwide Recorded Music Revenues: 2006 ($36.0 billion), 2007 ($35.1 billion), 2008 ($34.6 billion), 2009 ($35.4 billion), 2010 ($35.1 billion), 2011 ($34.7 billion)
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2006 Worldwide Music Publishing Revenues: $8.0 billion (2006), $8.3 billion (2007), $8.6 billion (2008), $8.9 billion (2009), $9.1 billion (2010), $9.4 billion (2011)
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Worldwide Live Music / Concert Revenues: $16.6 billion (2006), $18.1 billion (2007), $19.4 billion (2008), $20.8 billion (2009), $22.2 billion (2010), $23.5 billion (2011)
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North American Recorded Music Revenues: $12.6 billion (2006), $13.0 billion (2007), $12.8 billion (2008), $12.6 billion (2009), $12.6 billion (2010), $12.4 billion (2011)
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North American Music Publishing Revenues: $3.2 billion (2006), $3.3 billion (2007), $3.4 billion (2008), $3.6 billion (2009), $3.7 billion (2010), $3.8 billion (2011)
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North American Live Music / Concert Revenues: $7.3 billion (2006), $7.9 billion (2007), $8.5 billion (2008), $9.1 billion (2009), $9.7 billion (2010), $10.3 billion (2011)
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North American Music Industry Revenues: $23.1 billion (2006), $24.2 billion (2007), $24.7 billion (2008), $25.3 billion (2009), $26.0 billion (2010), $26.5 billion (2011)
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US Digital Music Revenues : $1.9 billion (2006), $2.8 billion (2007), $3.7 billion (2008), $4.5 billion (2009), $5.2 billion (2010), $5.7 billion (2011)
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Worldwide Digital Music Revenues: $2.9 billion (2006), $4.5 billion (2007), $7.0 billion (2008), $10.7 billion (2009), $12.9 billion (2010), 14.8 billion (2011)
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Worldwide Recording Industry Revenues from Mobile: $1.0 billion (2006), $1.7 billion (2007), $3.0 billion (2008), $4.8 billion (2009), $6.2 billion (2010), $7.3 billion (2011)
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Worldwide Recording Industry Revenues from Online : $1.9 billion (2006), $2.8 billion (2007), $4.1 billion (2008), $5.9 billion (2009), $6.7 billion (2010), $7.5 billion (2011)
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Worldwide Recording Industry Revenues from Physical: $33.1 billion (2006), $30.6 billion (2007), $27.5 billion (2008), $24.6 billion (2009), $22.2 billion (2010), $19.9 billion (2011)
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US Recording Industry Revenues from Mobile : $0.8 billion (2006), $1.1 billion (2007), $1.6 billion (2008), $2.0 billion (2009), $2.4 billion (2010), $2.8 billion (2011)
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US Recording Industry Revenues from Online: $1.1 billion (2006), $1.7 billion (2007), $2.2 billion (2008), $2.5 billion (2009), $2.8 billion (2010), $3.0 billion (2011)
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US Recording Industry Revenues from Physical: $9.7 billion (2006), $9.1 billion (2007), $8.0 billion (2008), $7.1 billion (2009), $6.4 billion (2010), $5.7 billion (2011)
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Music* Revenues in North American in 2005: $13 billion
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Music* Revenues in Western Europe in 2005: $11 billion
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Music* Revenues in North American in 2010: $15 billion
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Music* Revenues in Western Europe in 2010: $14 billion
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US Adult Music Listeners' Attitude towards 99 cent download price point: 19% say Too Expensive, 52% say it's a Fair Price, 19% say it's a Bargain, 10% say they are Not Sure
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US Online households use the following services to download music from the Internet: 70% Use Illegal P2P Site, 37% Use Online Legal Service, 11% Use Email, 10% Use Instant Messaging (2003), 58% Use Illegal P2P Site, 32% Use Online Legal Service, 6% Use Email, 9% Use Instant Messaging (2004), 38.3% Use Illegal P2P Site, 57.4% Use Online Legal Service, 6.2% Use Email, 6% Use Instant Messaging (2005)
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Worldwide Music-Enabled Phone Shipments (millions of units): 441.1 million units in 2006, 618.1 million units in 2007
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Worldwide Music-Enabled Mobile Phone Sales,(millions of units): 69.8 million units in 2005, 126.1 million units in 2006
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Concert Ticket Revenues in North America, (billions): $1.8 billion (2001), $2.1 billion (2002), $2.5 billion (2003), $2.8 billion (2004), $3.1 billion (2005), $3.6 billion (2006)
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Worldwide Concert Ticket Revenues (2006 - 2011): $8.2 billion (2006), $9.0 billion (2007), $9.8 billion (2008), $10.6 billion (2009), $11.4 billion (2010), $12.1 billion (2011)
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58% of Music Executives at larger record labels, 48% of Music Executives at all record labels
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70% say Future of downloadable music lies in making tracks play on as many different players as possible, 62% say Dropping DRM and releasing music files that can be enjoyed on any MP3 player would boost the take-up of digital music, 54% say Current DRM systems are too restrictive
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Apple (73.7%), San Disk (9%), Creative (3.3%), Microsoft (2.3%), Samsung (2.2%), Other (9.5%)
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Digital Camera (52%), Camera Phone (25%), Portable Digital Music Player (19%), MP3 Music Phone (12%)
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Digital Camera (63%), Camera Phone (41%), Portable Digital Music Player (37%), MP3 Music Phone (21%)
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Ringtone Mobile Music Revenues in Europe (2011): EUR 3.01 billion
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Full Track Mobile Music Revenues in Europe (2011): EUR 4.83 billion
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Ringtones (81%), Ringback Tones (10%), Full-track Downloads (6%), Streamed Music (3%)
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Ringtones (51%), Ringback Tones (17%), Full-track Downloads (19%), Streamed Music (13%)
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Worldwide Revenues from Over-The-Air (OTA)* Full-Track Song Downloads, 2004, 2005 & 2011: 2004 ($12.4 million), 2005 ($251 million), 2011 ($9.3 billion)
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Ringtone Downloads ($4.9127 billion), Streaming Audio ($72 million), Music Downloads ($65.1 million), Ringback Tones ($489 million)
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Ringtone Downloads ($6.8157 billion), Streaming Audio ($562 million), Music Downloads ($1.5553 billion), Ringback Tones ($2.4046 billion)
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Music Sponsorship Spending in North America, 2003-2011: 2003 ($575 million), 2004 ($695 million), 2005 ($754 million), 2006 ($867 million), 2007 ($1 billion), 2008 ($1.1 billion), 2009 ($1.2 billion), 2010 ($1.3 billion), 2011 ($1.4 billion)
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US Recording Industry Revenues, 2001-2006: 2001 ($13.7 billion), 2002 ($12.6 billion), 2003 ($11.9 billion), 2004 ($12.3 billion), 2005 ($12.3 billion), 2006 ($11.5 billion)
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US Music Performance Revenues, 2006-2011: 2006 ($1.642 billion), 2007 ($1.715 billion), 2008 ($1.785 billion), 2009 ($1.855 billion), 2010 ($1.920 billion), 2011 ($1.985 billion)
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American Society of Composers, Authors and Publishers (ASCAP) US Revenues, 2003-2006: 2003 ($668 million), 2004 ($699 million), 2005 ($749 million), 2006 ($785 million)
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Broadcast Music Inc. (BMI) US Revenues, 2003-2006: 2003 ($630 million), 2004 ($673 million), 2005 ($728 million), 2006 ($779 million)
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Worldwide Synchronization Licensing Revenues, 2006-2011: 2006 ($2.1 billion), 2007 ($2.2 billion), 2008 ($2.3 million), 2009 ($2.4 billion), 2010 ($2.4 billion), 2011 ($2.5 billion)
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US Weekly Digital Media Users, XM Satellite Radio, 2005-2020: 2005 (4.3 million), 2006 (6 million), 2007 (7.6 million), 2008 (9.12 million), 2009 (10.76 million), 2010 (12.48 million), 2015 (15.6 million), 2020 (17.94 million)
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US Weekly Digital Media Users, Sirius Satellite Radio, 2005-2020: 2005 (2.0 million), 2006 (3.1 million), 2007 (6.01 million), 2008 (8.34 million), 2009 (9.99 million), 2010 (11.99 million), 2015 (14.39 million), 2020 (17.26 million)
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US Weekly Digital Media Users, Internet Radio*, 2005-2020: 2005 (45 million), 2006 (56.7 million), 2007 (72.01 million), 2008 (91.45 million), 2009 (116.14 million), 2010 (147.5 million), 2015 (187.33 million), 2020 (196.69 million)
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US Weekly Digital Media Users, Mobile Phone Audio Streaming, 2005-2020: 2005 (0 million), 2006 (1.48 million), 2007 (4.14 million), 2008 (8.69 million), 2009 (19.13 million), 2010 (40.17 million), 2015 (70.29 million), 2020 (108.95 million)
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US Weekly Digital Media Users, HD Radio (terrestrial), 2005-2020: 2005 (0.10 million), 2006 (0.27 million), 2007 (0.32 million), 2008 (1.51 million), 2009 (4.68 million), 2010 (12.17 million), 2015 (22.03 million), 2020 (35.69 million)
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US Weekly Digital Media Users, Terrestrial Radio (cumulative), 2005-2020: 2005 (283.10 million), 2006 (279.65 million), 2007 (282.84 million), 2008 (279.97 million), 2009 (283.49 million), 2010 (284.19 million), 2015 (274.13 million), 2020 (258.69 million)
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2005 (6.80 million), 2006 (11.30 million), 2007 (16.60 million), 2008 (24.70 million), 2009 (34.80 million), 2010 (48.70 million), 2015 (69.30 million), 2020 (78.70 million)
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US Weekly Digital Media Users, Podcasting, 2005-2020: 2005 (1.01 million), 2006 (1.49 million), 2007 (2.94 million), 2008 (3.68 million), 2009 (5.07 million), 2010 (6.34 million), 2015 (8.43 million), 2020 (15.93 million)
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Trade Value of US Digital Music Sales in 2008: $3,500,000,000
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Digital Music % of 2008 Total Music Sales: 20%
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Global Digital Revenue by Industry: Games (20%), Recorded Music (20%), Newspapers (4%), Films (4%), Magazines (1%)
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Total music consumption (both licensed and unlicensed) change from 2003 - 2007: Increased by one third between 2003 and 2007.
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Overall sales in the US hit an all time high in 2008, with music purchases across all formats: 1.5 billion units
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Number of tracks are downloaded without payment to rights holders (illegally downloaded): 95% / percent
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International music company digital revenues in 2008.: US$3.7 billion.
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Global single track downloads in 2008: 1.4 billion units globally
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Top selling digital singles / downloads of 2008: 1) Artist: Little Wayne - Song: Lollipop (9.1 million units), 2) Artist: Thelma Aoyama - Song: Sobaniirune (8.2 million units), 3) Flo Rida feat. T-Pain - Song: Low (8.0 million units) 4) Leona Lewis - Bleeding Love (7.7 million units) 5) Timbaland - Apologize (6.2 million units) 6) Greeen - Kiseki (6.2 millin units) 7) Katy Perry - I Kissed a Girl (5.7 million units) 8) Alicia Keys - No One (5.6 million units) 9) Usher feat. Young Jeezy - Love In This Club (5.6 million units) 10) Chris Brown - With You (5.5 million units)
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US share of global digital music sales: 50% of the global digital music market value
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Single track downloads crossed the one billion mark for the first time in 2008, totaling 1.1 billion, up 27 per cent on 2007
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Digital album sales totaled 66 million, an increase of 32 per cent (Nielsen SoundScan).
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Digital albums now account for 15 per cent of total album sales, compared to 10 per cent in 2007
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Atlantic Records became the first sizeable label to report that the majority of its revenue is now coming through digital channels.
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In Japan, 140 million mobile singles were sold in 2008, an increase of 26 per cent on the prior year (RIAJ).
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The UK saw the biggest increase in digital sales in the first half of 2008 among the top markets, with sales up by 45 per cent.
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In the UK, 110 million single tracks were downloaded in 2008, up 42 per cent on 2007.
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In the UK, Digital album sales also rose sharply, by 65 per cent to 10.3 million now accounting for 7.7 per cent of the albums market (OCC/ BPI).
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In France, 14.5 million online single tracks were downloaded in 2008, up 20 per cent on 2007
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In France, 1.4 million digital albums were sold, up 27 per cent (SNEP).
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In France, 12 million tracks were downloaded in 2007
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In Germany, online single track downloads totaled 37.4 million in 2008, a 22 per cent growth on 2007.
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In Germany, Digital album sales increased by 57 per cent, totaling 4.4 million (Media Control GfK International).
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Digital accounted for 39 per cent of recorded music sales in the US in the first half of 2008
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The proportion of US consumers’ disposable income spent on digital music is more than five times higher than in Europe.
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Online, US broadband users spent an average of US$12.5 on music compared to US$7.8 in the UK and just US$0.6 in Spain (2007).
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Top 5 digital music markets / countries: US (39%), Japan (19%), UK (16%), France (12%), Germany (9%)
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Music downloading continues to grow strongly internationally, with track sales up 24 per cent to 1.4 billion in 2008.
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Apple announced in January 2009 that it had sold six billion downloads since launch and it now has a presence in 22 countries worldwide.
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In February 2008, Apple became the largest music retailer in the US
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The Apple online store carries more than eight million DRMfree licensed music tracks, as well as 20,000 TV episodes and more than 2,000 films.
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AmazonMP3 offers more than six million DRM-free MP3 tracks from all the major labels and thousands of independents
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10% of Amazon MP3's store’s customers having previously bought music through iTunes.
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Amazon has a stronger bias to male users (64%) than iTunes (44%) and is weaker among the teen audience (3%) than iTunes (18%) in part due to iTunes gift voucher payment system.
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In the first few days of operation the MySpace Music service generated more than one billion streams and in the first month more than 80 million playlists were created.
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83 per cent of active internet users worldwide watched a video clip online in 2008 compared to 31 per cent in 2006.
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At least 45 million US consumers are willing to view adverts as the price of listening to music.
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The games industry globally was worth an estimated US$48.3 billion in 2008 and is projected to grow to US$68.3 billion by 2012
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Music games were responsible for 15 per cent of all games sales in the first half of 2008 and 32 per cent of the industry’s year-on-year growth in the US.
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The original Guitar Hero and its sequels have sold more than 23 million copies across all platforms in less than three years, grossing more than US$1 billion in North America alone.
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Microsoft reported sales of 3.8 million songs a month through Xbox Live, which includes downloads from both Guitar Hero and Rock Band.
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Radio is a US$32.5 billion global business
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The corporate radio industry in the US generates US$17.6 billion in advertising revenue every year
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Satellite radio is the fastest growing subscription service in the US, building up a subscriber base of 20 million users in just seven years.
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In Canada, a conservative estimate of the contribution of music to advertising revenue, compared to news and other elements, was 62 per cent.
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In Australia, It looked at the end consumers’ willingness to pay for music and found that the average nightclub patron valued its worth at A$6.97 as part of their evening’s experience.
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The fair price of using protected sound recordings at nightclubs should be set at A$1.05 per person, an increase of 1,400 per cent on what was previously being paid.
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Japan, the world’s second largest digital music market, saw a 26 per cent increase in mobile single sales in 2008.
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Mobile accounts for over 90% of digital music sales in Japan.
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Full-length song downloads to mobile are currently powering the Japanese market’s growth and now account for nearly 60 per cent of mobile revenues.
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The Brazilian digital music market, the largest in Latin America, nearly doubled in value in 2008 and now accounts for more than 10 per cent of recorded music sales in the country,
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In Brazil, nearly 80 per cent of digital music revenue coming from mobile channels.
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Brazil’s mobile music business has grown rapidly, with the number of mobile users up 60 per cent in the past three years.
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Music companies are overwhelmingly the largest investors in artists’ careers, ploughing back around 20 per cent of their revenues into the development of talent.
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MySpace, for example, lists more than 2.5 million hip hop acts and 1.8 million rock artists alone.
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Music fans are open to about 15 different genres.
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Viva La Vida by ColdPlay, became the top selling album of 2008 on iTunes, selling two million copies through the service.
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IFPI, collating separate studies in 16 countries over a four-year period, estimated unauthorized file-sharing at over 40 billion files in 2008.
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This means that globally around 95 per cent of music tracks are downloaded without payment to the artist or the music company that produced them.
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In the UK, Jupiter Research valued the loss at £180 million in 2008, with a cumulative loss to the industry of £1.1 billion by 2012 if nothing is done to address the problem.
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Europe Economics estimated the potential employment losses from piracy to the music, film and TV sectors at 30,000 jobs in the UK (December 2008).
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Overall 16 per cent of internet users in Europe regularly swap music on P2P networks.
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Those networks in turn account for up to 80 per cent of all internet traffic (ipoque) and file-swapping of copyrighted music and movies is widely-acknowledged to account for a large part of P2P activity.
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In France, the number of album releases by new artists fell 16 per cent in the first half of 2008.
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The French share of newly released albums domestically fell to 10 per cent in the first half of 2008, compared to 15 per cent in the first half of 2005.
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There were an estimated 1.6 billion songs downloaded illegally in Spain in 2008 (Promusicae/Gfk), compared to two million legal à-la-carte downloads.
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In Spain, Digital sales are flat at 10 per cent of the market, around half the global average.
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13.7 million films were distributed on P2P networks in France in May 2008, compared to 12.2 million cinema tickets sold
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In 2008 that one in three 15-24 years olds in Europe uses copyright infringing P2P networks – three times the proportion that consumes music legally.
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71 per cent of people who said they file-shared more heavily in 2008 cited the fact that they could obtain music without payment as the number one reason for their activity.
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84 per cent of people who had downloaded music illegally thought artists and authors should be paid for their work.
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Seven out of 10 music consumers download music illegally because it’s available free
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P2P file-sharing, a large part of which is unauthorized copyrighted music and film, accounts for up to 80 per cent of all internet traffic (ipoque).
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Seven out of ten (72%) UK music consumers would stop illegally downloading if told to do so by their ISP
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Seven out of ten (74%) French consumers agree internet account disconnection is a better approach than fines and criminal sanctions
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Eight out of ten (82%) American teenagers familiar with the law think sanctions for illegal downloading are appropriate; 57 per cent of those unfamiliar with the law agree
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90 per cent of consumers would stop illegally file-sharing after two warnings from their ISP
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A Canadian report shows that 93 per cent of Canadians think parents should teach their children how to use the internet in a responsible way
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Some three million people in the UK download unauthorized films online,
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11 per cent of UK movie downloaders think the practice downloading movies is “too much effort”.
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As a result of their online efforts, 99 per cent of all online views in the U.S. of the 2008 Olympics took place on NBC’s platform.
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In 2008, IFPI removed three million infringing web links, up from 500,000 in 2007, stopping potentially hundreds of millions of unlicensed downloads.
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A survey by Student Monitor in spring 2006 found that more than half of students downloaded music and movies illegally
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According to NPD, students accounted for more than 1.3 billion illegal music downloads in 2006.
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US Recording industry revenue (physical music) - (2003 - 2012): $11.9 billion (2003), $12.2 billion (2004), $11.2 billion (2005), $9.7 billion (2006), $8.6 billion (2007), $7.7 billion (2008), $6.9 billion (2009), $6.2 billion (2010), $5.5 billion (2011), $4.9 billion (2012)
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US Recording industry revenue (digital music) - (2003 - 2012): $0 (2003), $0.2 billion (2004), $0.8 billion (2005), $1.3 billion (2006), $2.0 billion (2007), $2.7 billion (2008), $3.4 billion (2009), $4.0 billion (2010), $4.6 billion (2011), $5.3 billion (2012)
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Digital music revenues will top $20 billion in 2015
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In 2011, digital music now accounts for an estimated 32% of all record label revenues globally, up from 29% in 2010.
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In China, 71% of record label revenues came from digital sources in 2011.
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In South Korea, 53% of record label revenues came from digital sources in 2011.
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